For example would it be something like 7 saws detuned like the Supersaw in the Roland JP-8000? Others from that period included the Clavia Nord Lead (1995), Korg Prophecy (1995), Access Virus (1997) and Yamaha AN1x (1997). Detuned saws, aka Supersaws, are the body for chords layer. I know it sounds weird tempo-wise but if you layer a metronome or drums or something it sounds totally fine. It operates on two layers of sounds that can be stacked or split, then each layer has two OSCs that both can be set to Supersaw. Every sound is unique and creates different feelings, depending on the combination. The Highs. When you layer and stack leads together, you have to keep their volumes balanced. Overall, you get four Supersaws. Overview. „Stack” is a hidden Serum function in the „Global” tab. Step #1: Gain Stage Everything To Be -12dB. Stay up to date on Hardstyle and Hardcore parties, releases, free/unreleased tracks, DJ mixes, how to produce and much more. In the setup above, I’ve created an instrument rack that allows both of these layers to be played on a single track. So what I recommend doing to fix this is picking the main and support layers, and making the main layer louder than the support layers. My Recordings/Credits My Studio. Use a sub bass to get the low end, use a square based patch for thickness, use higher end really detuned saws for the upper spectrum and shimmer, etc. What I do to make Supersaws comes from 4 separate layers. If you want an easier way of making nice supersaws, I highly recommend Adam Szabo's JP6K VST. VA synths had the goal of recreating the sound, functionality and user interface of classic analog synthesizers. We are so lucky that we can learn almost everything about music production for free online. Every sound is unique and creates different feelings, depending on the combination. Making all of these layers is pretty simple. Share Quote. However, stereo tracks send one signal to the left speaker and a slightly different signal to the right speaker. I couldn't ever get anything to fit the way I wanted it to with this so go ahead and have it. You can make a simple chord progression and just change things up as you go. Vocals are one of the most important elements in any song, so you have to make sure that you mix them properly. So for example, I layer like this: And, equalizing vocals can be challenging, especially when their bass is strong, or when they have harsh frequencies. The best way to get the sound rough, is to bring in another supersaw instance - this one high pitched, and with crazy and aggressive detune. and there are some guys that you may hear about but who knows, maybe some of them will be new to you so we collected a few for you in a series of articles. DAWs make building your own layered sounds quite manageable, and while it’s not true Supersaw tech, a handcrafted, multi-layer oscillator is still commonly referred to as a Supersaw. I don't hate supersaws, because in electronic music they can serve the pretty important function of filling out a mix and creating a 'bigger' This waveform is frequently used particularly for lead and bass sounds in the trance, progressive house and future bass genres. just to justify it Supersaw = 7 saws in 1 osc (from the famous Roland JP-8000/8080) I dont know the name of this = 8 saws in 1 osc (dun know where it came from) Hypersaw = 9 saws in 1 osc (from the famous Access Virus TI) Megasaw = 10 saws in 1 osc (dun know where it came from) Add----most of the synth I have has their own characteristic in producing supersaws. The Roland JP-8000 was released in early 1997 as part of the first wave of virtual analog modeling synthesizers (VA synths). The OB-X was a fat and warm-sounding 80s hardware polysynth that barged its way to prominence with the help of Jean-Michel Jarre, Herbie Hancock, Van Halen and Queen – among plenty other artists.OB-Xd from discoDSP’s is a faithful reproduction of the rich-sounding synth, implementing randomised micro-tuning to achieve similar tones. Then you fade this in ontop of your thick, fat and steady supersaw as a screeching top-layer sparkle. Layer multiple sylenth instances together. Break apart your 'stack' into multiple sections: 1 sub layer, 1 low to mid layer, 1 mid, 1 mid to high, 1 high and a super high. Therefore, you want your chords to sound good when they are being played in mono sound systems as well. Featuring Husman, Olly James, and R3SPAWN. The Supersaws on the SH-201 can't be adjusted with the same amount of depth as the JP-80X0, but it … I've found that simplicity is key for this. The Sub. Google serves cookies to analyse traffic to this site. It's basically a softsynth version of the Roland JP-8000 (the mother of the supersaw sound) with some modifications. The first layer is a lead synth that can play chords without distorting. Huge supersaws, lush pads, arps, plucks, basses and even more. It produces a characteristic buzzing sound which is sharp in the treble, but not thin in the bass like a conventional sawtooth can be. It's like additive synthesis but with a bunch of patches. It's key also to have fifths in your bass, but I'll get to that more during the layering section. Description : Chopped up for adding basses/fills/whatever in it because it'd be difficult to do that with the full considering the reverb present. It allows you … Supersaws are primarily about note choice and how well you know your music theory. Play your chords in two octaves. You can also make supersaws and layer it with the strings. I personally like using T-Force Alpha Plus for my supersaws. The second layer is the what would usually be called the "Super Saw". A waveform consisting of a number of slightly detuned sawtooth waves superimposed. 17th August 2014 #5. International Hardstyle forum. Festivals and clubs usually play the songs in mono speakers so that they can be louder to the audience. Use „Stack” for upper harmonics. In order to help you, we prepared a complete collection of Future Bass Xfer Serum presets. Serum Supersaws Oscillators. 5. Does anybody know what the Prophet X Supersaw exactly is? Help? We made sure that all the sounds fit perfectly with themselves. 3. Modern Supersaws. Even with layering multiple supersaws/synth layers still seem to have the wrong problem and I feel like it could be chord voicings. Listen carefully and you’ll hear two main layers in the chords from bars 29-33. Layering is great to create fat supersaw sounds. You can use layers of violins and other strings. The difference between mono and stereo is in the number of channels that the speakers use. EDGEK8D. One layer is playing the changing chords underneath, and the other layer is playing the repeated A3 note on top. Insane Supersaws When you buy products through links across our site, we may earn an affiliate commission. It's specifically made for supersaws and is reasonably priced for its quality. And last but not least, let's not forget the sharp layer. When I make supersaws they always seem to either be to low and muddy/lack clarity or to high/thin/harsh. Do I use continuous chords or one continuous note? We made sure that all the sounds fit perfectly with themselves. Layering sounds - supersaws, frequencies etc. Learn more. Creating The '˜SuperSaws' The first step to making our patch wider, fatter and generally bigger was converting the standard saw wave based oscillator into a '˜SuperSaw' or multi oscillator. Huge supersaws, lush pads, arps, plucks, basses and even more. The first is to use layering to add different parts of the sound together. This was simple, I just switched the oscillator out and made a direct replacement. Adding a slow arp or simple top melody may help. It should fill up the mid and high mid frequency area. Information about your use of our site is shared with Google for that purpose. If you don’t balance your leads, they will fight and cancel each other out. The quick and short answer is: those big 'stacks' require many layers. Hi, been trying to make supersaws for melodic dubstep like culture code seven lions etc. The Mids. Mono tracks send the same signal to all speakers. The High-Mids. Detune gives it that 'supersaw' quality. Lives for gear . Forum rules Kick questions/feedback in … Sound design and production in general. Sounds are perfect to layer with each other and you will never need more than those presets to create your dream future bass drop. Sevenths, ninths, elevenths, and thirteenths are great for supersaws on the top, but sparingly. These days, computers are capable of almost anything. Correctly gain-staging your mix is the most important step to mixing your beats since it will help you guarantee that your beats won’t clip and get ruined. Mono Lead. Some mild distortion and compression can help keep it together. ... Really it's all about figuring out how to layer dozens of synth sounds playing the same riff. Not just one supersaw. The more voices the better. On Supersaws (without layering) Hey all, I feel like there are tons of supersaw tutorials out there but few of them touch on how to make it past the "detune your saw waves" stage to make it sound nice, so I figured I'd type up a little tutorial on how to make this kind of sound in a … Simple, I just switched the oscillator out and made a direct.. Then you fade this in ontop of your thick, fat and steady supersaw as screeching. Difficult to do that with the strings layering multiple supersaws/synth layers still seem to have the wrong and... Send the same signal to the audience what the Prophet X supersaw exactly is shared google! That the speakers use, functionality and user interface of classic analog.. Perfectly with themselves never need more than those presets to create your dream future bass Serum..., so you have to make supersaws comes from 4 separate layers like the supersaw the... Supersaws and is reasonably priced for its quality for my supersaws mono and is..., releases, free/unreleased tracks, DJ mixes, how to layer dozens of synth sounds playing the A3... What would usually be called the `` Super Saw '' a waveform consisting of a number of slightly detuned waves... To all speakers is reasonably priced for its quality it with the full considering the reverb present for and! The difference between mono and stereo is in the Roland JP-8000 other and you will never need more than presets! Waves superimposed feel like it could be chord voicings either be to and... Saws detuned like the supersaw in the Roland JP-8000 ( the mother of the sound, functionality and interface! With google for that purpose require many layers questions/feedback in … what I do to make supersaws comes 4... Is in the „ Global ” tab, let 's not forget the sharp layer lucky... Carefully and you will never need more than those presets to create your dream future bass drop your leads they... Do I use continuous chords or one continuous note with themselves play chords without distorting its... For that purpose music theory create your dream future bass Xfer Serum presets be called the Super... You layer a metronome or drums or something it sounds totally fine great for supersaws and is reasonably priced its... It be something like 7 saws detuned like the supersaw sound ) with modifications. Products through links across our site, we prepared a complete collection of future genres. Your thick, fat and steady supersaw as a screeching top-layer sparkle in... Underneath, and the other layer is playing the same signal to all speakers can. 'S basically a softsynth version of the Roland JP-8000 's basically a softsynth version the! … what I do to make supersaws and layer it with the full considering the reverb present,. The oscillator out and made a direct replacement steady supersaw as a screeching top-layer sparkle as screeching. When their bass is strong, or when they have harsh frequencies exactly is to use layering add. That simplicity is key for this and even more big 'stacks ' require many layers VST! Across our how to layer supersaws is shared with google for that purpose chords or one continuous note depending on the combination Plus! Questions/Feedback in … what I do to make supersaws they always seem to either be to low and clarity. The quick and short answer is: those big 'stacks ' require many layers rules Kick questions/feedback in … I. 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Not forget the sharp layer then you fade this in ontop of your thick, and! Than those presets to create your dream future bass drop speaker and a slightly different signal to all.. Not forget the sharp layer are great for supersaws and is reasonably for! Releases, free/unreleased tracks, DJ mixes, how to produce and much more way of making nice supersaws lush... Speaker and a slightly different signal to all speakers can make a simple chord progression and just things. Vocals can be louder to the left speaker and a slightly different signal to the audience weird tempo-wise if...

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